Showing posts with label DMCC (Dave) Semester 2. Show all posts
Showing posts with label DMCC (Dave) Semester 2. Show all posts

Wednesday, 9 May 2012

Evaluation of DMCC


                                                            Evaluations

Promotional 2 ½ min Video for client

For this project my aim was to create a video for a client that would promote and advertise their business/vocation.  I chose a Personal Trainer who works at a local gym, and does fitness classes’ and one to one sessions.

The Client:

I chose someone I knew would have liked a website and video doing to help them gain more clientele. I also knew my client on a personal level, so this had both its advantages and disadvantages in the working environment.

The client was a male personal trainer called Alex. He has worked in the fitness industry for five years and would have liked to have gone freelance, but does not have the client base to do so. The aim of this project is to create a video for Alex that could enhance his reputation, gain him new clientele, and raise awareness of his profile.

What we needed to do:

To ensure it was successful, we firstly needed to gain an approach of how we were going to conduct the video, and select a target audience. After doing this, I raised awareness of the impact of social media, and having the video hosted on a website. My client agreed, and this set the basis of what needed to be done.

I needed to get as much information in the pre-production planning stage as possible. This consisted of moodboards for the website, colour schemes, sitemaps, and ideas of website providers we could use.

 

I looked at some other videos that have been done in the fitness industry and how these have taken certain aspects in to consideration. I used these to gain a bearing of how to incorporate many different parts in to a video.

We also discussed ideas of how we would film, and what the video would consist of, as Alex also has other sporting achievements and interests.

The difficulties in doing the PPP were finding the right balance of being able to discuss things professionally, gaining enough time together, and also, gaining sufficient feedback, as I found that as I knew him on a personal level, he may neglect to tell me his true thoughts.

The advantages of this were that I could play around with ideas more creatively, and get on with the tasks when I had the chance, as Alex generally was happy with the initial ideas we had come up with.









The making of:

The video had to ensure that it promoted Alex in the right way; not to hard-core that it would put people off, but serious enough to make people aware of the intensity of the sessions.

We decided that we would have a mixture of Alex training outdoors, doing weights, taking fitness classes, and working with clients.

This meant there were a lot of locations, timings, and situations where the filming had to be done at particular times, so this affected the speed of how the project developed. Once the filming’s were completed, I had ensured that I had gained enough alternative footage and photographs to be able to edit and use, that we had something to work with, making sure we did not have to re-film anything.

Once the footage had been collected, I put together a simple but effective storyboard. Knowing that there were four main sections of filming, I gained some other photos of Alex from his bodybuilding competitions, and thought this may be a useful idea to incorporate to tell people a bit more about him.

Storyboard:




Putting the video together was one of the hardest aspects of the project. I have not had much experience of this, and I don’t have highly technical software, but I used what I had to try and create a simple but effective video.

This part took me around two weeks, to get to a stage where the timings were correct, and then I could progress with the additional items such as music and voiceovers.

I conducted a voice recording of Alex to place over parts of the video. This was scripted to the video and had to be exact to the timings and parts that it was desired for. We did not have too many issues with this part, as it was short and simple, but effective.

To include in the video, I had also asked one of Alex’s clients to record a voiceover to incorporate within the video to break the music and tension of the video. The idea with this was to also give the audience of the video a real life insight in to what training with Alex is like.

I feel that this worked well within the video, as it fitted well with the tone and the type of video that was created.

The same person also conducted a podcast for myself, of which will also be incorporated into the website.

The website itself went through a couple of designs, but once the provider was chosen, my client picked this himself, as he had an idea of what he wanted.

The website creation had to evolve from just information and the video, as I would have liked to have created a fully working website that was efficient and could be hosted.





After discussing this with my client, we decided to push ahead with this and create a fully functional website.

The main issues where deciding what tabs, and what would be included within this.

These are some of the sketches I first developed, and the site map.


After making some adjustments we came to decide on certain aspects that would and wouldn’t be included, and started to progress with putting content on the website.











This is one of the first screen shots of the website in progress.




This developed over the weeks in correlation with the video being put together and edited.

After the website was finished for design purposes, my client also wanted to include some other media aspects, so I created him a Twitter account for professional use, and put this on his blog as a live feed.

I have also placed a tab labelled media, of which this is where the video, the podcast of his client, and any other future media items can be placed. This makes his site more interactive and non-linear, and also appeals to a wider audience because of this.

I have also created spaces for a photo reel and an archive of photos.









Problems:

The main problems in conducting the whole project were time scales, although it was completed weeks before the expected date. Certain aspects were re-arranged on many occasions such as filming and communications were sometimes limited in terms of the project.

I see my client most days, as I know him on a personal level. I some respects I felt this helped, but the negatives where that the timings were sometimes cut short or re-arranged without much notice. It also became difficult to gain a grasp of whether my client was happy with the product, as he did not give much feedback other that ‘it’s good.’

Successes:

The successes were that also because I knew my client on a personal level, I could guess what things he may or may not like, and made this my advantage in ensuring things were done to timescales. If he was unsure I would urge one direction or another, and that would make him feel at ease with the decision.

Also, the conversations were chatty and informal, which helped with the progression of the smaller details, of which with a more formal client, this may have taken a meeting or a scheduled event.

Being able to drop the website and video into conversation when seeing him for other purposes also helped, as this led to me gaining more information and clearer and quicker perspectives of what he wanted.





Future impact:

The process of making from scratch a full promotional video and website has helped me immensely in gaining knowledge of what works and doesn’t work for future projects of this nature.

Professionally, I feel that this is a learning curve of first practises, as I have never done this type of project before. So this has given me ideas, confidence, and more skills, to be able to carry out making a video and or website from start to finish in the future.

I would work with clients I know on a personal level again, as this one overall was a successful and positive experience, although that may not always be the case.

I would like to continue developing my skills in video production and website planning and creating as it is something that has a vast business market, and journalistically, I can use it to offer other skills, and purposes, such as writing the content for a website.

The overall experience is something that I will continue to develop and expand upon to ensure that I can be knowledgeable and skilled in many different areas, all of which I can use for my future career in the media industry.













Analysis of my Newsroom Exercises

The newsroom exercises have enabled me to develop and produce a thorough and comprehensive selection of varied writing styles and genres to build a portfolio of various journalism works.

Initially, the tasks given helped me to understand the basic concept of journalism, and the theories surrounding a journalist’s role in society and as a vocation. This was discussed and explored through investigating the NUJ code of conduct, and thus comparing and looking at a Japanese theory of investigative journalism by Ansei Inoue.

One of the first tasks given was to write my own Obituary suitable for publication. In doing this, I found it difficult to write a biographical piece from an exterior perspective, as I wanted to refer to myself in the first person. I also found it hard to distinguish which items should and shouldn’t be included within an obituary.

From doing this, I learned how to write quickly, accurately, and for a purpose in a short space of time, whilst also considering hierarchical based items as mentioned in another aspect of the writing exercises, which was to work in a hierarchical structure of importance.

This was an aspect covered in the Japanese Theory of Journalism, to work in a reverse Pyramid. This technique is useful for writing interviews, reviews, articles, and any writing exercises that have to be succinct. I took this advice through to the tasks that followed from these first experiences.







As the new media and interactive media develops, there are more mediums and alternatives to make and distribute news or stories. These are some of the aspects that were covered within the newsroom. I looked at alternative methods and online sources of storytelling, such as Vimeo, Cowbird, Unsungnewyorkers, amongst some others, and considered how and if these are relevant in the modern journalism vocation.

I reviewed some aspects of stories that I had viewed as videos, and speculated on how this can be useful for a journalist and what affect it may have on the profession. After exploring these mediums, I wrote a piece concerning how there is a difference between journalism, and storytelling, and my thoughts on how and why this must stay separate to keep the profession of journalism alive.

Some of the aspects of these new media websites can be sued by a journalist as part of creating a wider and diverse audience, but the main interactive based new media tool that I found to be most useful was Storify.

This I feel is a tool that can be used as a journalist, professionally, and adequately to create and tell a story for an intended audience on what is considered news. I used this to create some stories of my own, one of which was for the 2012 U.K Budget.

The basis of Storify is to create and use new and social media such as Twitter and Facebook, and using web links, to create a story in a succinct but comprehensive and thorough manor that can be distributed with immediate effect.







This version of my Budget analysis was one that I tried to vary and derive a more cynical yet truthful approach to the topic. I used imagery that would not be used in general media representation, and I wanted to challenge and border the political correctness and reserved approach of how media represents certain matters.

I used captions and titled the story, a Budget for everyone, which was solidified at the end with the image that also incorporated everyone. It was meant to use a style that might be seen on light hearted news programming such as Channel 4’s 10’oclock Live.

I did this as I do not want to be the type of journalist that follows conforming attitudes towards how a story of piece of news should be presented, but I want to enforce my own style that is in line with public perceptions, rather than one that donates the practise of ‘us and them’ keeping the public’s views silent, and the political views heard.

I feel that this style would aid my success in the journalism sector, as it would effectively separate my style and approaches from that of journalists that are afraid to use wording or imagery that could offend, yet is truthful.

I have used Storify on many occasions for different purposes, but all of which tell stories as part of being a journalist.

The newsroom exercises that were ‘Live’ were one’s that I found most difficult, but also the most compelling and realistic to write.









I have written articles on a Presidency election, a Politician accused of breaking the law, and a Beer and Cider festival event of which I attended and reviewed the event immediately after.

These exercises gave me a tremendous insight into the aspects of true journalism, and a newsroom environment, whilst also equipping me with techniques to help speed up my writing, make it more concise and accurate, and deliver a report that tells a story in a short space of time.

Other aspects covered in the newsroom were reviews on aired T.V programmes, particularly, ones by BBC’s Storyville.

These documentaries were based around many different topics, and I was expected to review these and write reports suitable for a Broadsheet publication.

I found the Broadsheet writing much more definitive in the vocabulary selection, and the intended target audience, as I could write a more sophisticated or elaborative review that would be from various angels depending on the stories.

I found that in doing these tasks, I developed a style that I otherwise did not know I had. I followed some similar patterns and tried to follow a basis and analytically presented the articles in a journalistic format that took the reader on a journey through the review.











The final piece of writing I did was the Murdoch, an Empire in Dire State. I chose to write this in a very different style to what would usually be done, whilst also placing my views into the piece, as it is an opinion piece. As I’m entering the sector, I feel that it is imperative that I understand all concepts surrounding the current state of media, and all that affects this.

Using this style whilst asserting my opinion has helped me to analyse the current state of the media, whilst drawing upon other aspects that are affecting the sector.

Throughout all of the newsroom exercises I undertook many aspects of journalism, and developed skills in a varied amount of areas, such as reviewing, interactive, broadsheet, and tabloid writing, and  also, finding my own writing and journalistic style and preferences.

The experience of undertaking these weekly exercises has developed me professionally and moulded my writing into something that I can use as a tool and adapt in many different styles, mediums, and works, all of which will equip me with good knowledge and experience to expand, develop, and use, for future writing and journalistic experiences.




Monday, 30 April 2012

Newsroom Exercises: Analysis


Analysis of my Newsroom Exercises

The newsroom exercises have enabled me to develop and produce a thorough and comprehensive selection of varied writing styles and genres to build a portfolio of various journalism works.

Initially, the tasks given helped me to understand the basic concept of journalism, and the theories surrounding a journalist’s role in society and as a vocation. This was discussed and explored through investigating the NUJ code of conduct, and thus comparing and looking at a Japanese theory of investigative journalism by Ansei Inoue.

One of the first tasks given was to write my own Obituary suitable for publication. In doing this, I found it difficult to write a biographical piece from an exterior perspective, as I wanted to refer to myself in the first person. I also found it hard to distinguish which items should and shouldn’t be included within an obituary.

From doing this, I learned how to write quickly, accurately, and for a purpose in a short space of time, whilst also considering hierarchical based items as mentioned in another aspect of the writing exercises, which was to work in a hierarchical structure of importance.

This was an aspect covered in the Japanese Theory of Journalism, to work in a reverse Pyramid. This technique is useful for writing interviews, reviews, articles, and any writing exercises that have to be succinct. I took this advice through to the tasks that followed from these first experiences.

As the new media and interactive media develops, there are more mediums and alternatives to make and distribute news or stories. These are some of the aspects that were covered within the newsroom. I looked at alternative methods and online sources of storytelling, such as Vimeo, Cowbird, Unsungnewyorkers, amongst some others, and considered how and if these are relevant in the modern journalism vocation.

I reviewed some aspects of stories that I had viewed as videos, and speculated on how this can be useful for a journalist and what affect it may have on the profession. After exploring these mediums, I wrote a piece concerning how there is a difference between journalism, and storytelling, and my thoughts on how and why this must stay separate to keep the profession of journalism alive.

Some of the aspects of these new media websites can be sued by a journalist as part of creating a wider and diverse audience, but the main interactive based new media tool that I found to be most useful was Storify.

This I feel is a tool that can be used as a journalist, professionally, and adequately to create and tell a story for an intended audience on what is considered news. I used this to create some stories of my own, one of which was for the 2012 U.K Budget.

The basis of Storify is to create and use new and social media such as Twitter and Facebook, and using web links, to create a story in a succinct but comprehensive and thorough manor that can be distributed with immediate effect.



This version of my Budget analysis was one that I tried to vary and derive a more cynical yet truthful approach to the topic. I used imagery that would not be used in general media representation, and I wanted to challenge and border the political correctness and reserved approach of how media represents certain matters.

I used captions and titled the story, a Budget for everyone, which was solidified at the end with the image that also incorporated everyone. It was meant to use a style that might be seen on light hearted news programming such as Channel 4’s 10’oclock Live.

I did this as I do not want to be the type of journalist that follows conforming attitudes towards how a story of piece of news should be presented, but I want to enforce my own style that is in line with public perceptions, rather than one that donates the practise of ‘us and them’ keeping the public’s views silent, and the political views heard.

I feel that this style would aid my success in the journalism sector, as it would effectively separate my style and approaches from that of journalists that are afraid to use wording or imagery that could offend, yet is truthful.

I have used Storify on many occasions for different purposes, but all of which tell stories as part of being a journalist.

The newsroom exercises that were ‘Live’ were one’s that I found most difficult, but also the most compelling and realistic to write.

I have written articles on a Presidency election, a Politician accused of breaking the law, and a Beer and Cider festival event of which I attended and reviewed the event immediately after.

These exercises gave me a tremendous insight into the aspects of true journalism, and a newsroom environment, whilst also equipping me with techniques to help speed up my writing, make it more concise and accurate, and deliver a report that tells a story in a short space of time.

Other aspects covered in the newsroom were reviews on aired T.V programmes, particularly, ones by BBC’s Storyville.

These documentaries were based around many different topics, and I was expected to review these and write reports suitable for a Broadsheet publication.

I found the Broadsheet writing much more definitive in the vocabulary selection, and the intended target audience, as I could write a more sophisticated or elaborative review that would be from various angels depending on the stories.

I found that in doing these tasks, I developed a style that I otherwise did not know I had. I followed some similar patterns and tried to follow a basis and analytically presented the articles in a journalistic format that took the reader on a journey through the review.

The final piece of writing I did was the Murdoch, an Empire in Dire State. I chose to write this in a very different style to what would usually be done, whilst also placing my views into the piece, as it is an opinion piece. As I’m entering the sector, I feel that it is imperative that I understand all concepts surrounding the current state of media, and all that affects this.

Using this style whilst asserting my opinion has helped me to analyse the current state of the media, whilst drawing upon other aspects that are affecting the sector.

Throughout all of the newsroom exercises I undertook many aspects of journalism, and developed skills in a varied amount of areas, such as reviewing, interactive, broadsheet, and tabloid writing, and  also, finding my own writing and journalistic style and preferences.

The experience of undertaking these weekly exercises has developed me professionally and moulded my writing into something that I can use as a tool and adapt in many different styles, mediums, and works, all of which will equip me with good knowledge and experience to expand, develop, and use, for future writing and journalistic experiences.


Rupert Murdoch: Media v Politics


Rupert Murdoch, an Empire in Dire State

In light of recent events concerning the Leveson Enquiry into media ethics, journalism has scoped a mass surmount of negative publicity, and the relationship between hierarchical structures at the most elite levels have come under scrutiny.

Rupert Murdoch has recently evidenced his version of events concerning a mass of matters involving his company and business; News Corporation and its branches, one of which, the recently deceased tabloid News of The World.

His account of the events  alleged to have taken place, such as phone hacking, email hacking, and a general lack of ethical and in some cases lawful practise as a journalist, have invariably enlightened many of the public’s otherwise opaque eyes.

But, at what expense does this ostentatious episode have on the image of a journalist, and the right to exercise their licence to be instinctive, intuitive, and inquisitive?

An unforeseen amount of pressure is now placed onto the precarious media sector as it attempts to uncover the true meanings of unprofessional journalism conduct, and preserve the dwindling faith of the public; a strained relationship that has always been held in contempt.

A certain consequence of these events is to assume without doubt that in future times, the sector of media and journalism will be unequivocally glowered upon by the figures of discontented audiences. These who want nothing more than a truthful account of interesting news that momentarily affects their inhospitable shield surrounding their existence, which inherently fades away in wait of the subsequent piece of information which can be disregarded with similar insignificant effect.

Journalism is indeed infected, affected, and susceptible to accept blame and responsibility for the envious figures of chauvinistic characters that esteem for domination of the political, and all aspects of civilized notions of belief, to globally inflict consumerism on the naïvely accepted audiences.

Political responsibility will inexorably avoid the too familiar concern of ingenious ambiguity of accepting credibility, or to indeed have any involvement other than to proclaim absence in the proceedings of any unethical or unlawful accounts of action.

Corrupted stature in the whole pontifical nature of politics to acquire an image of unassailable interpretation precedes the appearance of the unimpressionable media. This is solidified through a volatile succession of publicly accounting the vocation of the informant, into being an inconceivable practise that defies all honesty.

This enlightening affair begs the questions that, if ethics within media is so fragmented that there needs to be an enquiry, then assuredly the same fate must be presented to investigate the ethics within Politics?

Journalism it seems is again forced to concede to the hierarchical elites that will inevitably continue to fracas in unobtrusive fashion, until once again, a surreptitious snake is placed into the public sphere, where irrefutably the politicians and chauvinists alike, will donate acceptance to the destitute industry of the media.


Sunday, 22 April 2012

Useful Pointers on Conducting a Successful Interview


10 points for conducting an interview

Based on the documentary we watched ‘Frost on Interviews’, I picked up some interesting tips about how to conduct interviews, including some key pointers, and quotes, and directions to take interviews depending on the circumstances.

I will outline these, and highlight the top ten I feel I would use, and that benefited my knowledge the most.

  1. The interviewer shapes the discussion in the interview

In 1951, this year was considered the first, that political interviews arose, and where considered so. When ITN launched, it was the first company to conduct ‘interviews.’

  1. Bring out how the interviewee thinks and feels about a particular thing
  2. Be friendly, and make questions relevant to a subject

The late night line-up was a show hosted by a female interviewer, Joan Bakewell. She recommended;

  1. Don’t interrupt people, have manners and let them finish speaking

John Freeman was the first kind of interviewer to be considered abrupt, and aggressive. It was described in the documentary as a ‘psychoanalyst’s chair’ this being because of the close intimacy of the camera concentrating on the interviewee’s face. He asked questions that would be sometimes quite personal, and he dominated discussion. People would answer the questions put to them.

He asked martin Luther King; ‘Do you feel you are an adequate symbol for Negro’s in Southern States’?

Face to face interviewing was a breakthrough thanks to Freeman. There weren’t many outlets that provided somewhere to view celebrities in honesty.

  1. The onus is on the interviewer to create a mood to speak, so research them thoroughly
  2. Move the talk show into an area that informs the viewer and entertains.

‘’You can’t please all interviewee’s all of the time.’’ Michael Parkinson

‘’You’re looking for someone that tell the truth about their work.’’ Melvin Bragg

  1. Establish a situation where people can talk about themselves and their work without embarrassment.

An interview that stood out to me in the documentary was the interview between mlvin Bragg, and Francis Baker.

‘’I am profoundly optimistic about nothing!’’ Baker

  1. Always tell the truth, and get a truthful interview in return
  2. Any good interview has got to build – Dennis Potter interview

From 1979 onwards, interviewees learned to fight the interview.

‘’Interviewing is a Gladiatorial subject.’’ Lord Heseltine

  1. Be well prepared, know what you want to say
  2. Adjust questions to the answers
  3. Charm them, relax them, then bang – This is Frost’s technique, for example in the Margaret Thatcher interview

Jeremy Paxman, he battles his way through interviews, he is very persistent, and aggressive as an interviewer.

Interviewing made its way over to entertainment.

Clive Anderson, a former barrister, used spontaneity in an interview, such as in his Anderson Talks Back show on Channel 4. He uses an example of when he got half way through an interview with the Bee gees when they left.

Ruby Wax seduced the interviewee; she only had 10 minute interviews. She tried to turn these into three day interviews. She created a bond with the interviewee, and most incredibly, interviewed them in their own homes, a new approach to interviewing.

In relation to political interviews, form 1997, when Tony Blair became Prime Minister, they had found a way to work through interviews, by using Spin Doctors. Alistair Campbell was Tony Blair’s Spin Doctor, and he used techniques to prepare him for interviews.

  1. For the public to get anything form an interview, the interviewee needs to be challenged a lot.

Alistair Campbell noted that ‘politicians try to communicate with the public, whilst the interviewer tries to take it to a new route, this often ends up in the modern political interview being a stalemate.

‘’Spin Doctors have made aggression in interviewing politicians worse.’’ Andrew Neil

  1. When you get the interview you have won.

An example of an interview with David Cameron saw how the effect of Spin Doctors can influence an interview.

‘’I’ve chosen my words very carefully today.’’ Cameron

The nature of television has changed to be more empathetic, this has affected the nature of interviews.

  1. The interviewee responds to something, i.e. people
  2. It’s not the questions that matter, it’s the answers they give
  3. 17. If the Spin Doctors aren’t happy, you’re doing your job.




Thursday, 19 April 2012

Hull Real Ale and Cider Festival 2012 Review


The Hull Real Ale and Cider Festival 2012, review

The Hull Real Ale and Cider festival is an annual event held to deliver the finest and freshest ales in the region. The event is held in celebratory and communal fashion, representing all that is sociable for the respected interested parties, who seek to find the tastes of fine ales.

The event this year took place at Hull’s Holy Trinity Church, in the Town Centre, and ran from Thursday 19th, to the evening of Saturday 21st of April.

The event is aimed at promoting traditional and independent pubs and breweries across the U.K. and is the only dedicated consumer group in the U.K to do so.

The event took place at Holy Trinity for the first time, in what is now the 34th year of running for the the Festival. This year’s organiser was Stewart Campbell, who stated before the event about the privilege of hosting the Festival at a historic place such as the Holy Trinity.

                                                             Organiser, Stewart Campbell

The event is a ceremonial one that has passed through time, as it was first thought a ritual to drink within the church in medieval times.

Ale as a term is one that is used, and deviates from its origins as a compound term of wording. It was traditionally known that the word ale formed many parts of other words, to associate meaning with practise, such as the word Bridal. This term originated from Bride-ale, which represented a wedding feast.

The Parish Church held these events through the Whitsun season in Tudor Times, and the acclaimed name of Whitsun-ale, meaning to drink at Whitsun, became known.

Ale in medieval times was a highly important and social aspect of life in the Parish Church, as the ale was to honour the Church Saint, and the sales of ale helped repair the church and create alms for the poor.

Today, many Parish churches may find themselves needing to host events such as the Hull Real Ale and Cider Festival, to fund and upkeep the running of the church, so that its traditions are not lost.


It seems then that if traditions follow, this may not be the last time that the Hull Real Ale and Cider Festival may be seen held at the Holy Trinity Church.


Tuesday, 10 April 2012

Writing Exercises News room

THE SPEEDY CHEETER HUHNE RACES OUT THE DOOR

CHRIS Huhne dramatically resigned as an MP yesterday, as claims about his private life have tarnished his reputation. The former Energy Secretary had allegedly flanked a driving ban that he would have received over nine years ago, after asking his Wife, Vicky Pryce to pick up the points.
Huhne was driving through Essex when his car was picked up on camera, and has dodged these claims since March 2003.
Essex police investigated the father of five and love cheat, for eight months, after the Crown Prosecution Service demanded that they investigate Huhne and his Wife.
It surfaced in May 2011, that Ms Pryce had taken the points on her ex husband’s behalf, meaning both her and the love rat could face charges of perverting the court of justice if found guilty.
His love affair with his PR advisor, Carina Triminham, first caused Huhne’s rep to be slated, as it was exposed in June 2010. The Lib Dem MP also caused havoc, when he nicknamed the Deputy PM Nick Clegg, ‘Calamity Clegg,’ whilst running for leader of the party.
The millionaire’s political position was finally placed into jeopardy, as QC Keir Starmer, of the Crown Prosecution Service, made a public statement on the 2nd of February confirming that there will be possible charges against Huhne. This, only the next day, Huhne spoke to David Cameron, and resigned, only to later plead his innocence to the PM.
The court case is due to take place on 16th February, and if found guilty, Huhne and his ex could receive a sentence of up to a year.
He had branded the decision to bring him into court ‘regrettable’, and Huhne has insisted that he will return to office, once he has banished the claims. The Deputy PM, Nick Clegg has offered support from the Lib Dem party, and has also urged Huhne to clear his name. 

Storyville: Tabloid, Sex in Chains. 1000 word Broadsheet review

Storyville, Tabloid: Sex in Chains, is a documentary that explores the life of a beauty queen whose life was subjected to sexual objectification, obsession, and an exploitation of her existence, as her devotion to a Mormon man she loved, turned in to a tabloid publicity feature.

It begins by expressing the views of Joyce McKinney, an American woman who became entailed and involved with a lifestyle of a sexual cult. Using several other male personnel in interviews, it begins slowly to unravel how this cult and lifestyle had escalated into something more disturbing.

It uncovers how a mystery of the disappearance of a man called Kirk Anderson, that Joyce was involved with, and the journey that she, and; Keith Joseph (KJ), her bodyguard Gil Parker, and Jackson Shaw went on to try and find Kirk.

The four people involved travelled form the U.S, to England to find Kirk. As they passed through in to England the documentary shows how the world that they had become involved in was becoming more intrinsically connected with something more perverse and unruly.

The documentary unfolds to discover how the man, Kirk, was transformed, and was described by Joyce as having, ‘a personality alteration. There were two Kirks, Kirk number one, the man she fell in love with, and Kirk number two, who was cult Kirk.’

Joyce had a passion to be what was described as ‘inseminated’ by Kirk. The documentary explored further into how she took Kirk away to part in England where she had essentially captured and concealed him in a world that she created to try and rid his Mormonism nature. Joyce described how she took ‘the magic pants’ of Kirk. The interview further describes the emotions that Mormons as a religion where not meant to feel; such as love, sexual feelings, passion, or connections with a woman.

The detail further delved in to was how the Mormon culture interviewed the males, and transferred their beliefs onto their followers.

The Mormon religion had then reported Kirk as disappeared. In Storyville, the interview with Joyce describes how Kirk had found a newspaper that labelled him as disappeared.

The disappearance of Kirk had gripped media, and a television report shown on the documentary told of how Kirk was tied up, and a bag was placed over his head and he was kidnapped.

The full extent of the Mormon religion and the taboo nature was unravelled when Joyce had made a phone call to contact Kirk, and in the place where he was, Joyce explains how the phones were tapped, and recorded all conversation.

The documentary then unfolds into how Joyce became a prisoner, and was arrested for her actions.

Storyville, throughout, lets the interviewees unfold their tales, and give their impressions and account of actions. It transfers from being a story of one factor of beliefs and the interlinking personalities of two people, into a dramatic characterisation of love, entrapment, and religious philosophy, that grips the attention of the viewer as the programing becomes more emotionally personalised and shocking.  

Joyce’s account of the actions took a dramatic twist when she described how she gained the attention of the media, by asking a stranger to mail the pieces of information she had hidden, to alert the press of her bail hearing.

The story of Joyce’s kidnap of Kirk was released to the press as she had appeared in court. As this came to print, it was described by Keith Joseph in the documentary as ‘the perfect tabloid story.’
The Daily Express and Daily Mirror where described as being locked (in battle).

Joyce describes how the phenomenon that was her story, had transformed her in to celebrity. That celebrity status transformed Joyce’s life around the court case in to something that she described as having a ‘life of its own.’ 

From this point the interviewing picks up pace in the documentary as it flits between the interviewees and the cuts to the newspapers it is referring to.

Joyce sold her story to the Daily Express for £40,000, as she had fled to Canada with thirteen suitcases, whilst pretending to be deaf.

The Daily Mirror was then introduced as investigating Joyce. This lead to photographer’s trying to capture Joyce, and more information including phone calls and contacts.

The Daily Mirror photographer, Kent Gavin, discusses how he identified one of Joyce’s friends, Steve, and used him to find new photographs of Joyce. Some of these where described as un-publishable.

The Daily Mirror then run the pictures in a weekly feature story, depicting Joyce as ‘a temptress in the garden of evil.’ Alternatively, the Daily Express run photographs of Joyce as a nun; a victim of cruel circumstances.

The Sun newspaper had used some photographs, of which they had later admitted that they had used and cropped photographs of another female’s body, and placed Joyce’s head on to this.

The Daily Mirror photographer, Kent, described how the dossier of up to 1000 pictures of Joyce, none of which he had taken, but had instead gleaned from other people associated with Joyce, went missing when the newspaper changed ownership.

The documentary ruins through the process of how Joyce’s life had become a tabloid sensation. Joyce recollects how the tabloid press had begun to ruin her life, and how this had affected her as a person.

Storyville views the interviewees face on in the studio, cutting from past to present and each interviewee. This maximises the potential of the expressions that the interviewees show, and their emotions on camera.

The documentary profiles the full story in exemplary style, showing true detail of the occurrences, and how Joyce’s story became a factor of obsession for tabloid newspapers.

The proliferation of Joyce was fully explored and comprehensively protracted onto the viewer through a mass of evidential documentation, a mixture of interviews, and an orbit of questions that raised the topical and biographical profile of Joyce and her remarkably gripping story.

Storyville - Tabloid: Sex in Chains was aired on the BBC in March 2012. It can be viewed on the BBC I player at:

http://www.bbc.co.uk/iplayer/episode/b01f13f6/Storyville_20112012_Tabloid_Sex_in_Chains/




Friday, 23 March 2012

Progress Report 21/03/12

I created this as a progress chart to keep on top of my work, and organize my priorities for the remainder of the year. This charts all of the major tasks I will have to do, and the activities and smaller tasks that need to be completed in order to fulfill them.

Wednesday, 21 March 2012

Frost on Interviews Review

300 word review for a Broadsheet Newspaper

Frost on Interviews explores fundamental aspects of the modern interview, and how this has transformed over the last six decades.

Since it was first established as an emerging form of journalism in the nineteen fifties, the interview has become one of the most popular practices of gathering information in the public eye, and has since adapted into a form of providing entertainment to the public. Frost encounters many of his interview counterparts and colleagues, to form a programme that follows through the very transformations that the interview as a concept, has undertaken to be known as what it is today.

Appearances are made from the former politician Tony Benn, fellow interviewers Michael Parkinson and Melvin Bragg, and Tony Blair’s former spin doctor, Alistair Campbell. The programme follows a structure of interviews with these figures amongst others, based upon their own experiences, and what they justify good interview techniques, as well as commenting on how the interview has changed and adapted over the years.

Short snippets of interviews are shown frequently, to emphasise the changes in how in particular, politicians became savvy to the interview, and therefore adapted their attitude, and behaviour as a result. A particular instance with Margaret Thatcher, saw her undermine and verbally retaliate to an interviewer, of which has since latterly become common place in the modern day. What the documentary does however produce, is an insight into the former ways in which interviews where broadcast. Frost expresses how interviews in the early days, where a form of political broadcasting, rather than an inquisitive conversation.

What was also acknowledged is the transformation and transferring of interviews into the entertainment business. This type of interview is now more commonly known, through people such as Graham Norton, Jonathan Ross, and as shown in the programme, Clive Anderson.

The historical context of the interview is encapsulated in how Frost, along with fellow television practitioners, discuss and recite the modern practises in which we have become accustomed to as an audience today. The former days of interviewing where not partaken in such a way that entertains or informs as its primary objective; but instead, they were a form of promoting for politicians, and exploiting the truth for journalists.

The programme was aired on the BBC in March 2012.


Thursday, 8 March 2012

Storyville documentary: NY Times -Deadline (Final)

American newspaper organisations have sustained infrastructural changes in a media world that is evolving past old forms of journalism. The death of daily newspapers, and the decline into administration of newspapers such as Rocky Mountain News, Philadelphia News, and The New York times have drawn attention to these changes.

The Storyville documentary, New York Times – Deadline, uncovers these changes, and discusses the impacts and influences that have participated in diminishing commonplace newspapers.

2008 signalled troubling times for the New York Times. The influence of new media prompted the creation of a ‘new’ New York Times. In the time of this change, there was a 30 per cent drop in advertising, a collapse that no one anticipated.

The documentary highlights the immense impact that the decline in advertising revenue has on newspaper organisations. Jeff Jarvis commented in the documentary, “the old newspaper format is dying.”

The dominance of one newspaper can be compressed and damaged due to advertising collapses. Storyville discusses if this level of advertising would ever be recovered in modern new media formats.

Brian Stelter, a new media journalist, is referred to as “the kid who went from blogging to the New York Times.” He comments on the influence of Twitter, and says “people in the newsroom are talking at lunchtime about a story that I knew about at midnight. Twitter gives people a sense of today’s news and how people are reacting to it. Twitter is the wider collective voice.”

The wider collective voice was echoed in the documentary through the exploration of Wikileaks founder Julian Assange. In 2010, Wikileaks released secret documents, and the documentary explored what affects this would have on journalists. Assange denied that his whistleblowing website would have an affect on the war, and commented “journalism is just a tool to get to the goal.”

The documentary explores the overhauls, changes and the dramatic impact that instantaneous and new forms of information being released has on journalists’ roles. The interviewing techniques and constant referral to problems that have been overcome, and how the NYT keeps moving forward, gives a deep insight into the world of reporting for the NYT, and the evolving changes that the newspaper has gone through.

New York Times – Deadline was screened on BBC2 in February 2012.

Storyville documentary: NY Times -Deadline (draft 2)

American newspaper organisations have sustained infrastructural changes in a media world that is evolving past old forms of journalism. The death of daily newspapers, and the decline into administration of newspapers such as Rocky Mountain News, Philadelphia News, and The New York times have drawn attention to these changes. The Storyville documentary, New York Times – Deadline, uncovers these changes, and discusses the impacts and influences that have participated in diminishing commonplace newspapers.
In 2008, the New York Times created a media desk, after the newspaper came into trouble. The influence of new media has formed a design to create a new New York Times. In the time of this change, the drop in advertising was at 30%, a collapse that no one anticipated. The documentary highlights the massive impact that the declines in advertising revenue has on newspaper organisations. Jeff Jarvis commented in the documentary, “the old newspaper format is dying.”
The dominance of one newspaper can be compressed and damaged due to advertising collapses. Storyville discusses if this level of advertising would ever be recovered in the modern new media formats.
Brian Stelter, a new media journalist, is referred to as ‘the kid who went from blogging to the New York Times.’ He comments on the influence of Twitter, and says “people in the newsroom are talking at lunchtime about a story that I knew about at midnight the night before. Twitter gives people a sense of today’s news and how people are reacting to it. Twitter is the wider collective voice.”
The wider collective voice was echoed in the documentary through the exploration of Wiki -leaks founder Julian Assange. In 2010, Wiki-leaks released secret documents, and the documentary explored what affects this would have on journalists. Assange denied that his whistle blowing website would have an affect on the war, and commented “journalism is just a tool to get to the goal.”
The documentary explores the overhauls the changes and the dramatic impact that new realises and forms of information being released has on journalist’s roles. The interviewing techniques and constant referral to problems that have been overcome, and how the NYT keeps moving forward, gives a deep insight into the world of reporting for the NYT, and the evolving changes that the newspaper has gone through.

Storyville documentary: NY Times -Deadline (draft 1)

American newspaper organisations have sustained infrastructural changes in a media world that is evolving past old forms of journalism. The death of daily newspapers, and the decline into administration of newspapers such as Rocky Mountain News, Philadelphia News, and The New York times have drawn attention to these changes. The Storyville documentary, New York Times – Deadline, uncovers these changes, and discusses the impacts and influences that have participated in making them happen.
In 2008, the New York Times created a media desk, after the newspaper came into trouble. The influence of new media has formed a design to create a new New York Times. In the time of this change, the drop in advertising was at 30%, a collapse that no one anticipated. The documentary highlights the massive impact that the declines in advertising revenue has on newspaper organisations. The dominance of one newspaper can be compressed and damaged due to advertising collapses. Storyville discusses if this level of advertising would ever be recovered in the modern new media formats.
Brian Stelter, a new media journalist, is referred to as ‘the kid who went from blogging to the New York Times in the documentary. He comments on the influence of Twitter, and says ‘people in the newsroom are talking at lunchtime about a story that I knew about at midnight the night before.’ Twitter gives people a sense of today’s news and how people are reacting to it. Twitter is the wider collective voice.

Monday, 27 February 2012

Storytelling Vs Journalism

In discovering new experiences of New Media and Journalism techniques, I have come to analyse and decipher, what the difference is between a piece of Storytelling, and a piece of Journalism. There are many new forms of media available to the modern Journalist; Twitter, a form of micro blogging, Storify, a use of interactive and social media to tell a story, and websites such as Video Fu, Unsungnewyorkers, and Cowbird.

I have a quote from the website Cowbird.com, as they aim to tell the user, what their website is intending to achieve.

‘Cowbird allows you to keep a beautiful audio-visual diary of your life, and to collaborate with others in documenting the overarching “sagas” that shape our world today. Sagas are themes and events that touch millions of lives and shape the human story.

Our short-term goal is to pioneer a new form of participatory journalism, grounded in the simple human stories behind major news events. Our long-term goal is to build a public library of human experience, so the knowledge and wisdom we accumulate as individuals may live on as part of the the commons, available for this and future generations to look to for guidance.’

I specifically looked at the story of Baz and Corina, after being shown this in a seminar. This is available at http://cowbird.com/story/7831. This is a piece of storytelling, that overviews life, in a documentary format.

Video Fu, or Vimeo, is another type of user generated content (UGC), which provides the public an outlet to tell a story. I have specifically looked at a story by Jessica Yu, otherwise known as Mr Toilet. (Available at: http://vimeo.com/34792993). The video is an informative piece of storytelling on a specific topic, providing its viewers with information for a specific purpose.


Examples such as these have begun to probe me to question what my role as a Journalist will be, if the forms such as these, are available for the public to use, and essentially, provide their own stories, and pieces of news.

The intended messages that a piece of news or a story provides, shapes the reaction from its intended audiences, and influences them to further question how that piece of news or story can or does relate to them. This I feel is where the merging line between users providing a story, and a professional providing a piece of Journalism becomes opaque.



So what is the difference between Storytelling and Journalism?

Storytelling techniques have altered and adapted under the licence and formats of new media platforms and outlets. Advanced methods in communicating an intended message, have inclined users of the internet to produce content of their own that is of a journalistic nature.

So what separates these new media contents of Storytelling from pieces of Journalism?

A journalistic piece of content must have an intended audience; with an intended purpose, and specific need of production value, to produce something that is in the interest to the intended audience through the nature of the communication. A documentary produced for a specific purpose could be interpreted as a piece of journalism, but the intended purpose of the production dictates whether or not that the piece is a journalistic piece, or a new media form of storytelling.

All good journalists communicate a story through the intended medium provided to the specific audience. The online audience sees a difference of what is considered to be journalism, and what is considered storytelling.  Take the example from Cowbird.com, the story of Baz and Corina; a message of communication, a piece of storytelling, a new media form of communicating a story using a specific hosted website. This, however, is not what could be considered a piece of journalism, as the intended message has no specific target audience. Similarly to a video of content uploaded to websites such as YouTube; a mass medium provider of content, providing people with means to communicate a message, or a story, or indeed journalism. But the intended audiences are not a specifically desired or intended audience, which provokes a public interest in the provided subject or content. This same rule applies to the video of Baz and Corina, although communicated through a new online medium of storytelling; it is a life documentary, but not a piece of journalism.

A piece of journalism is provided to send or deliver a fact or a message singularly or in groups, that has a specifically desired target audience, with a specific public interest. Even if the provided story is local to one location, of interest to a specific audience, if it provides the message to the desired specific audience, it can be considered journalism. Take the example of the unsungnewyorkers.com video of sanitation. (Available at: http://unsungnewyorkers.com/san-men.html) It is a short documentary based story that has a specific target audience. A viewer watching this from another part of the world may not have the intended message sent to them, but the hosted website provides a medium to communicate the message that is intended to be delivered to the intended audience.

How does this affect the common role of a Journalist?

The dominating news organisations of power, such as the BBC, Sky, CNN, amongst others, will not provide the journalistic content that can be provided through some of these online mediums. They are short, specific, and tell a story. It would be unviable to provide stories such as these on mainstream news, although interesting, fulfilling, and ultimately entertaining; they have vague and unidentified target audiences.

But, as a journalist, I find that empowering, to know that I don’t have to be a corporate moneymaking machine of journalistic empowerment. If I can merely communicate a message through new media technologies, using mediums provided to give an outlet to communicate my message in a journalism based story; I am thus equally empowered in providing a required piece of journalism, to my specifically intended target audience, delivering my message of communication, and the facts, all through new media forms of online storytelling.